

It was Grace Hartigan and Larry Rivers who eventually talked her into going to ULAE, pleading with her to join them even after she had turned them down, she explains. I always admired Miró, but was more involved in his painting,” she continues, both qualifying her outlook at the time and gently chastising it. Printmaking seemed sort of passé, and things that Europeans such as Hartung made. “I felt very much a painter, and that, that was my main and only concern. Yet there is also the unmistakable presence of surprise, as if the path that printmaking took her on after her first visit to Grosman’s Universal Limited Art Editions (ULAE) in West Islip, New York, in 1961, was still somewhat unbelievable to her. 1 In the audio recording of their public conversation, which took place on the occasion of Helen Frankenthaler: Prints at the National Gallery of Art, Washington, DC (April 18 –September 6, 1993), her voice is sharp and her words are considered. You’ll also see it on the gallery page for the particular font you spotted, under the Gallery tab on every font page.“I really had to be convinced to enter into the whole Tatyana Grosman experience in the first place,” recalled Helen Frankenthaler in 1993, speaking to curator Ruth Fine about her foray into printmaking. Once your image has been approved and categorized, you’ll see it on our gallery page. Images are sent to our staff for approval and we publish the best submissions daily.

Select the one you’d like to submit and tell us a little about why. It will automatically highlight available GIFs, PNGs, or JPGs. Then comes the fun part! Next time you’re on a website and spot a font in the wild, click the bookmarklet.

Just drag to your toolbar to add the bookmarklet to your browser. Once you’re all set, you’ll see a button for our gallery bookmarklet. If you’re not already, you’ll be prompted to log in. Next time you’re in the gallery page, click on “Submit images to the gallery.” We do what we can to spot these and put them up in the FontShop Gallery.īut did you know there’s a way for you to participate too? It’s simple. There are images of digital type samples, rendered type, and of course photos of fonts out there in the real world. We know webfonts only represent a small segment of typography on the web. Just a short time browsing, and your eyes will take in many examples of the thousands of fonts at alive on sites. We can all agree – there’s a lot of Internet out there.
